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dc.identifier.urihttp://hdl.handle.net/1951/55576
dc.identifier.urihttp://hdl.handle.net/11401/71011
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeDissertation
dcterms.abstractAbstract of the DissertationAcusmacia is a spanish word of Greek origin that denotes an auditory hallucination. A hallucination is the apparent perception of something not present. In the case of sound, what is perceived and what is present can differ tremendously.The perception of pitch is already the result of an extreme filtering of what is present.Acusmacia, the piece, begins with a roll on two snare drums.This sound is perceived as noise: an erratic, intermittent or statistically random oscillation. However, the actual method of production, the roll, is a periodic beating of drumsticks on a drum head.This paradox is the starting point for the piece and, through oftentimes hallucinatory procedures, it describes a journey from noise to pitch and from the acoustic to the acousmatic.duration: ca. 18 minutes
dcterms.available2012-05-15T18:05:47Z
dcterms.available2015-04-24T14:45:33Z
dcterms.contributorSheila Silveren_US
dcterms.contributorWeymouth, Danielen_US
dcterms.contributorPerry Goldsteinen_US
dcterms.contributorDinu Ghezzo.en_US
dcterms.creatorPastor, Felix
dcterms.dateAccepted2012-05-15T18:05:47Z
dcterms.dateAccepted2015-04-24T14:45:33Z
dcterms.dateSubmitted2012-05-15T18:05:47Z
dcterms.dateSubmitted2015-04-24T14:45:33Z
dcterms.descriptionDepartment of Musicen_US
dcterms.formatMonograph
dcterms.formatApplication/PDFen_US
dcterms.identifierPastor_grad.sunysb_0771E_10326.pdfen_US
dcterms.identifierhttp://hdl.handle.net/1951/55576
dcterms.identifierhttp://hdl.handle.net/11401/71011
dcterms.issued2010-12-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2012-05-15T18:05:47Z (GMT). No. of bitstreams: 1 Pastor_grad.sunysb_0771E_10326.pdf: 618675 bytes, checksum: 0b4d04c0e9494c05037ef1657d9ae456 (MD5) Previous issue date: 1en
dcterms.provenanceMade available in DSpace on 2015-04-24T14:45:33Z (GMT). No. of bitstreams: 6 Pastor_grad.sunysb_0771E_10326.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5) Acusmacia-Score-elecSubmission.pdf.jpg: 2654 bytes, checksum: ab39cb0e77d4d49730a9bad034093579 (MD5) Pastor_grad.sunysb_0771E_10326.pdf.txt: 115694 bytes, checksum: d268cec0faf4ec88bc2e7ffb4ad847a7 (MD5) Acusmacia-Score-elecSubmission.pdf.txt: 28243 bytes, checksum: 8ebae464509f828b7762316a2268184f (MD5) Pastor_grad.sunysb_0771E_10326.pdf: 618675 bytes, checksum: 0b4d04c0e9494c05037ef1657d9ae456 (MD5) Acusmacia-Score-elecSubmission.pdf: 87209238 bytes, checksum: 6c54069bb7fa2230de67309040fee267 (MD5) Previous issue date: 1en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectelectroacoustic, percussion
dcterms.subjectMusic _
dcterms.titleAcusmacia
dcterms.typeDissertation


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