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dc.identifier.urihttp://hdl.handle.net/1951/59576
dc.identifier.urihttp://hdl.handle.net/11401/71016
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeThesis
dcterms.abstractThe purpose of this study is to analyze the diabolic images in the work of Francisco de Quevedo from two perspectives: the terrifying mask and comic caricature. The diabolic spirit in Quevedo's work has several nuances that derive from the author's ideological belief: the tempting devil, the rebellious demon, the demon destroyer, the devil burlesque, as well as satanic things, nations, and characters. The study is based on the following works: la Pol?Ática de Dios, gobierno de Cristo y tiran?Áa de Satan? s, Los sue??os, La hora de todos, la Espa??a defendida, el Mundo caduco y desvar?Áos de la edad, La vida del Busc??n, la Execraci??n contra los jud?Áos, la Visita y anatom?Áa de la cabeza del Cardenal Armando de Richelieu, Alabanzas de la moneda, Libro de todas las cosas y otras muchas m? s, Carta al Rey Cristian?Ásimo Lu?Ás XIII, Carta a don Francisco de Oviedo, La musa Cl?Áo del parnaso espa??ol and Poes?Áa sat?Árico-burlesca de Quevedo.
dcterms.available2013-05-22T17:34:08Z
dcterms.available2015-04-24T14:45:35Z
dcterms.contributorFirbas, Paul.en_US
dcterms.contributorRoncero L??pez, Victorianoen_US
dcterms.creatorBanaru, Nelly
dcterms.dateAccepted2013-05-22T17:34:08Z
dcterms.dateAccepted2015-04-24T14:45:35Z
dcterms.dateSubmitted2013-05-22T17:34:08Z
dcterms.dateSubmitted2015-04-24T14:45:35Z
dcterms.descriptionDepartment of Hispanic Languages and Literatureen_US
dcterms.extent84 pg.en_US
dcterms.formatApplication/PDFen_US
dcterms.formatMonograph
dcterms.identifierBanaru_grad.sunysb_0771M_10539en_US
dcterms.identifierhttp://hdl.handle.net/1951/59576
dcterms.identifierhttp://hdl.handle.net/11401/71016
dcterms.issued2011-05-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2013-05-22T17:34:08Z (GMT). No. of bitstreams: 1 Banaru_grad.sunysb_0771M_10539.pdf: 607126 bytes, checksum: f10080a7c07b618d14e8e9d17b717e01 (MD5) Previous issue date: 1en
dcterms.provenanceMade available in DSpace on 2015-04-24T14:45:35Z (GMT). No. of bitstreams: 3 Banaru_grad.sunysb_0771M_10539.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5) Banaru_grad.sunysb_0771M_10539.pdf.txt: 183274 bytes, checksum: 3f376bd3dbf98aef69653c16efc94025 (MD5) Banaru_grad.sunysb_0771M_10539.pdf: 607126 bytes, checksum: f10080a7c07b618d14e8e9d17b717e01 (MD5) Previous issue date: 1en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectClassical studies--European studies
dcterms.titleThe diabolic metamorphosis and its images en Quevedo's work
dcterms.typeThesis


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