| dc.identifier.uri | http://hdl.handle.net/1951/59778 | |
| dc.identifier.uri | http://hdl.handle.net/11401/71335 | |
| dc.description.sponsorship | This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree. | en_US |
| dc.format | Monograph | |
| dc.format.medium | Electronic Resource | en_US |
| dc.language.iso | en_US | |
| dc.publisher | The Graduate School, Stony Brook University: Stony Brook, NY. | |
| dc.type | Thesis | |
| dcterms.abstract | The following thesis investigates the idea and practice of my painting from the point of view of the uncanny - that "remote province" characterized by Martin Heidegger as a paradoxical union of emerging and not emerging, concealment and unconcealment; described by Sigmund Freud as the way "back to what is known of old and long familiar" (220); and that Paul Celan reminds us is also the way of the abyss of heaven underfoot - the abyss that opens up the earth (Selected Poems and Prose, 407). Chapter 1, "Analytic of Forms: An Attempt at Self-Criticism", provides a critical and typological analysis, subdividing my work into two principle categories or genres: abstract/landscape and still image. Chapter 2, "A Remote Province", situates the idea and practice of my painting in relation to broader theoretical currents that aim to elaborate a conception of the work of art as uncanny, provisional, and poetic. Assuming with Jacques Ranci?Àre that every image presents a fold within the order of the visible and the sayable, I liken my approach to painting to a poetic practice of provisional naming and crossing out of names oriented towards what Heidegger calls the earth as opposed to the world | |
| dcterms.available | 2013-05-22T17:35:12Z | |
| dcterms.available | 2015-04-24T14:47:05Z | |
| dcterms.contributor | Pindell, Howardena | en_US |
| dcterms.contributor | Pekarsky, Melvin H | en_US |
| dcterms.contributor | Craig, Megan. | en_US |
| dcterms.creator | Macaulay, Jamie Callum | |
| dcterms.dateAccepted | 2013-05-22T17:35:12Z | |
| dcterms.dateAccepted | 2015-04-24T14:47:05Z | |
| dcterms.dateSubmitted | 2013-05-22T17:35:12Z | |
| dcterms.dateSubmitted | 2015-04-24T14:47:05Z | |
| dcterms.description | Department of Studio Art | en_US |
| dcterms.extent | 67 pg. | en_US |
| dcterms.format | Monograph | |
| dcterms.format | Application/PDF | en_US |
| dcterms.identifier | http://hdl.handle.net/1951/59778 | |
| dcterms.identifier | Macaulay_grad.sunysb_0771M_10967 | en_US |
| dcterms.identifier | http://hdl.handle.net/11401/71335 | |
| dcterms.issued | 2012-05-01 | |
| dcterms.language | en_US | |
| dcterms.provenance | Made available in DSpace on 2013-05-22T17:35:12Z (GMT). No. of bitstreams: 1
Macaulay_grad.sunysb_0771M_10967.pdf: 10666355 bytes, checksum: d3c29412de557a774ef0cbcafdff6693 (MD5)
Previous issue date: 1 | en |
| dcterms.provenance | Made available in DSpace on 2015-04-24T14:47:05Z (GMT). No. of bitstreams: 3
Macaulay_grad.sunysb_0771M_10967.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5)
Macaulay_grad.sunysb_0771M_10967.pdf.txt: 48600 bytes, checksum: 547338b7571afc8470db4136704610a8 (MD5)
Macaulay_grad.sunysb_0771M_10967.pdf: 10666355 bytes, checksum: d3c29412de557a774ef0cbcafdff6693 (MD5)
Previous issue date: 1 | en |
| dcterms.publisher | The Graduate School, Stony Brook University: Stony Brook, NY. | |
| dcterms.subject | Abstract, Celan, Heidegger, Landscape, Levinas, Painting | |
| dcterms.subject | Fine arts--Aesthetics--Philosophy | |
| dcterms.title | A Remote Province: Between the Visible and the Sayable | |
| dcterms.type | Thesis | |
