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dc.identifier.urihttp://hdl.handle.net/1951/59797
dc.identifier.urihttp://hdl.handle.net/11401/71353
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeThesis
dcterms.abstractAnthony is an architect who idolizes Mid-Century Modern design. When he and his wife, Abby, move into a glass house in the suburbs, his obsession with order surfaces as his persona begins to shatter. On the simplest level, living together tests the couple's ability to cohabitate. But the probing presence of a difficult neighbor named Jane pushes their difficulties into a true crisis. Jane, an African American, suspects that Anthony, who looks to be of Middle Eastern descent, is a terrorist. The situation is particularly loaded because Jane, who has erased all traces of her cultural ethnicity, takes pride in her conservatism as a leader in a lily white community fighting to remain that way. Her husband, Tad, a local Wasp, tries to temper her tirades, but to know avail, and as things fall apart in Abby's marriage, she finds him increasingly attractive. In the end, Anthony's lie is revealed: He is not of European descent as he has always said, but is from a first generation Muslim family. Abby cannot accept his life as a lie and leaves him. Architect quotes and 1950s flashbacks illuminate the ironies of design fetishism throughout.
dcterms.available2013-05-22T17:35:17Z
dcterms.available2015-04-24T14:47:09Z
dcterms.contributorNederlander, Amy.en_US
dcterms.contributorBaitz, Jon R, Burford, Williamen_US
dcterms.creatorMorris, Robert Bruce
dcterms.dateAccepted2013-05-22T17:35:17Z
dcterms.dateAccepted2015-04-24T14:47:09Z
dcterms.dateSubmitted2013-05-22T17:35:17Z
dcterms.dateSubmitted2015-04-24T14:47:09Z
dcterms.descriptionDepartment of Creative Writing and Literatureen_US
dcterms.extent89 pg.en_US
dcterms.formatMonograph
dcterms.formatApplication/PDFen_US
dcterms.identifierhttp://hdl.handle.net/1951/59797
dcterms.identifierMorris_grad.sunysb_0771M_10732en_US
dcterms.identifierhttp://hdl.handle.net/11401/71353
dcterms.issued2011-12-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2013-05-22T17:35:17Z (GMT). No. of bitstreams: 1 Morris_grad.sunysb_0771M_10732.pdf: 592252 bytes, checksum: a4b7f743fc0fa7c753481d10e279311f (MD5) Previous issue date: 1en
dcterms.provenanceMade available in DSpace on 2015-04-24T14:47:09Z (GMT). No. of bitstreams: 3 Morris_grad.sunysb_0771M_10732.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5) Morris_grad.sunysb_0771M_10732.pdf.txt: 83862 bytes, checksum: e789d030eaef027f4334e1c34bbeed57 (MD5) Morris_grad.sunysb_0771M_10732.pdf: 592252 bytes, checksum: a4b7f743fc0fa7c753481d10e279311f (MD5) Previous issue date: 1en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectTheater--Architecture--Design
dcterms.subjectArchitecture, Eames, Johnson, Mid-century, Modern, Saarinen
dcterms.titleGlass House
dcterms.typeThesis


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