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dc.identifier.urihttp://hdl.handle.net/1951/59846
dc.identifier.urihttp://hdl.handle.net/11401/71396
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeThesis
dcterms.abstractThis thesis is based on the project completed for the Master's degree at Stony Brook University, which was split into two parts: translation of Frank Wedekind's Spring Awakening from German to English, and the presentation of this translation as a production. In order to endow further meaning on the controversial play, I sought to undermine the audience's expectations of sex and gender by using cross gender casting and other production values in order to cause an audience to question their expectations of the gender binary and the societal expectation for men and women to adhere to prescribed gender roles. This thesis first traces the inspiration for the project and factors that led to my interest, methodology used in translating the play and casting for the gender bent production, and its overall effectiveness.
dcterms.available2013-05-22T17:35:31Z
dcterms.available2015-04-24T14:47:24Z
dcterms.contributorMarsh, Steve , Bojsza, Elizabethen_US
dcterms.creatorSager, Elizabeth
dcterms.dateAccepted2013-05-22T17:35:31Z
dcterms.dateAccepted2015-04-24T14:47:24Z
dcterms.dateSubmitted2013-05-22T17:35:31Z
dcterms.dateSubmitted2015-04-24T14:47:24Z
dcterms.descriptionDepartment of Dramaturgyen_US
dcterms.extent52 pg.en_US
dcterms.formatApplication/PDFen_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/1951/59846
dcterms.identifierSager_grad.sunysb_0771M_11001en_US
dcterms.identifierhttp://hdl.handle.net/11401/71396
dcterms.issued2012-05-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2013-05-22T17:35:31Z (GMT). No. of bitstreams: 1 Sager_grad.sunysb_0771M_11001.pdf: 236965 bytes, checksum: 4609170600ba8a997741b5105da326bd (MD5) Previous issue date: 1en
dcterms.provenanceMade available in DSpace on 2015-04-24T14:47:24Z (GMT). No. of bitstreams: 3 Sager_grad.sunysb_0771M_11001.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5) Sager_grad.sunysb_0771M_11001.pdf.txt: 94569 bytes, checksum: de782bab477fc95c5925acadf313eb00 (MD5) Sager_grad.sunysb_0771M_11001.pdf: 236965 bytes, checksum: 4609170600ba8a997741b5105da326bd (MD5) Previous issue date: 1en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectdramaturgy, frank wedekind, gender, performance, queer, spring awakening
dcterms.subjectTheater--Performing arts--Literature
dcterms.titleThe Difference Between Boys, Girls, and Otherwise: Frank Wedekind's Spring Awakening as Queer Dramaturgy
dcterms.typeThesis


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