Show simple item record

dc.identifier.urihttp://hdl.handle.net/1951/59875
dc.identifier.urihttp://hdl.handle.net/11401/71423
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeThesis
dcterms.abstractWe live in a world defined by language. The communication and our understanding of the world around us happen through words and symbols. We define objects, space, and relationships through the language we use. As we cannot isolate the visual from the linguistic disposition, it is difficult to think of works of art without thinking of their verbal form, without giving them names, labels and definitions, and without putting them in categories and movements. Since Conceptual Art, art became an investigation in the nature of art, and is no longer an object of aesthetics, but a form of examination and research phenomena. [...] In my art I am interested in the correlation between art and language; and how the meaning of the different art vocabulary changes in the different contexts. I am interested in the changing relationship between signifier and signified in the context of appropriation art, contemporary photography, installation art and video. My work is indirectly influenced by post modern, poststructuralists' theorists, like Julia Kristeva, Roland Barthes, Joseph Kosuth, as well as by the philosophy of language theories by Wittgenstein, to name just a few of them.
dcterms.available2013-05-22T17:35:39Z
dcterms.available2015-04-24T14:47:31Z
dcterms.contributorLutterbie, John.en_US
dcterms.contributorDinkins, Stephanie , Uroskie, Andrewen_US
dcterms.creatorStoyanova, Kristina
dcterms.dateAccepted2013-05-22T17:35:39Z
dcterms.dateAccepted2015-04-24T14:47:31Z
dcterms.dateSubmitted2013-05-22T17:35:39Z
dcterms.dateSubmitted2015-04-24T14:47:31Z
dcterms.descriptionDepartment of Studio Arten_US
dcterms.extent43 pg.en_US
dcterms.formatMonograph
dcterms.formatApplication/PDFen_US
dcterms.identifierhttp://hdl.handle.net/1951/59875
dcterms.identifierStoyanova_grad.sunysb_0771M_10986en_US
dcterms.identifierhttp://hdl.handle.net/11401/71423
dcterms.issued2012-05-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2013-05-22T17:35:39Z (GMT). No. of bitstreams: 1 Stoyanova_grad.sunysb_0771M_10986.pdf: 7653967 bytes, checksum: 074a3b5d24d93876275cffff4bea5c94 (MD5) Previous issue date: 1en
dcterms.provenanceMade available in DSpace on 2015-04-24T14:47:31Z (GMT). No. of bitstreams: 3 Stoyanova_grad.sunysb_0771M_10986.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5) Stoyanova_grad.sunysb_0771M_10986.pdf.txt: 43878 bytes, checksum: 9fd4b1c690d079de6bbc953a6c8c4ddc (MD5) Stoyanova_grad.sunysb_0771M_10986.pdf: 7653967 bytes, checksum: 074a3b5d24d93876275cffff4bea5c94 (MD5) Previous issue date: 1en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectFine arts
dcterms.titleSuperman, can you hear me?
dcterms.typeThesis


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record