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dc.identifier.urihttp://hdl.handle.net/11401/76834
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeThesis
dcterms.abstractIn order to specifically articulate my work’s progress, I will organize this thesis focusing on the experience of my inner point of view as an artist. This will provide the intimate interaction and communication between me and my work. I have arranged the order of development to show how my work has changed since 2009. Each chapter will deal with procedural subjects in the advance of my art. I began with the inspiration of materiality, and this interest was evolving in the exploration of paintings by focusing on pictorial materials. Major streaming of its whole structure will be built on the relationship that I have been making with the elements in my artworks. Therefore, I will describe the progression of this relationship as it unfolded during the development of my recent installation. This thesis will provide the conclusion on the overall perspective of my work’s progression, and indicate the direction of my work’s concentration in the future.
dcterms.abstractIn order to specifically articulate my work’s progress, I will organize this thesis focusing on the experience of my inner point of view as an artist. This will provide the intimate interaction and communication between me and my work. I have arranged the order of development to show how my work has changed since 2009. Each chapter will deal with procedural subjects in the advance of my art. I began with the inspiration of materiality, and this interest was evolving in the exploration of paintings by focusing on pictorial materials. Major streaming of its whole structure will be built on the relationship that I have been making with the elements in my artworks. Therefore, I will describe the progression of this relationship as it unfolded during the development of my recent installation. This thesis will provide the conclusion on the overall perspective of my work’s progression, and indicate the direction of my work’s concentration in the future.
dcterms.available2017-09-20T16:51:15Z
dcterms.contributorLevine, Martinen_US
dcterms.contributorPindell, Howardenaen_US
dcterms.contributorThompson, Roger.en_US
dcterms.creatorChoi, Ye-seul
dcterms.dateAccepted2017-09-20T16:51:15Z
dcterms.dateSubmitted2017-09-20T16:51:15Z
dcterms.descriptionDepartment of Studio Arten_US
dcterms.extent29 pg.en_US
dcterms.formatApplication/PDFen_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/11401/76834
dcterms.issued2016-12-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2017-09-20T16:51:15Z (GMT). No. of bitstreams: 1 Choi_grad.sunysb_0771M_12828.pdf: 4429658 bytes, checksum: 9dd5d1f47f3dfd05d276704497957938 (MD5) Previous issue date: 1en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectFine arts
dcterms.subjectabstract installation, Abstraction, abstract painting, identity of artist, inspiration, materiality
dcterms.titleThe Appearance of My Abstraction and Exploration of Its Identity
dcterms.typeThesis


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