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dc.identifier.urihttp://hdl.handle.net/11401/76846
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeThesis
dcterms.abstractThis thesis is meant to clarify and articulate upon the driving forces behind the work I produced in the last three years, during which the material manifestations of my artwork swung between painting, assemblage, installation, sculpture and the two-dimensional. The philosophical implications present in my work related to the ideas of <italic>becoming</italic>, the origin of a work of art, and the sublime as found in the texts of Deleuze, Heidegger and Lyotard.
dcterms.available2017-09-20T16:51:18Z
dcterms.contributorBuonagurio, Tobyen_US
dcterms.contributorBerbic, Isaken_US
dcterms.contributorPekarsky, Mel.en_US
dcterms.creatorMoriarty, Katharine
dcterms.dateAccepted2017-09-20T16:51:18Z
dcterms.dateSubmitted2017-09-20T16:51:18Z
dcterms.descriptionDepartment of Studio Art.en_US
dcterms.extent33 pg.en_US
dcterms.formatApplication/PDFen_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/11401/76846
dcterms.issued2015-08-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2017-09-20T16:51:18Z (GMT). No. of bitstreams: 1 Moriarty_grad.sunysb_0771M_11765.pdf: 1418289 bytes, checksum: c4da3acdf38f0480c9878810e6288fda (MD5) Previous issue date: 2014en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectArt criticism
dcterms.subjectChance, emotive, gravity, Painting, Process, two-dimensional
dcterms.titleBecoming Of Art, Artist and Process
dcterms.typeThesis


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