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dc.identifier.urihttp://hdl.handle.net/11401/77538
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeDissertation
dcterms.abstractJewish-American literature is conventionally thought to be urban in terms of sensibility and geographical setting. This is understandable given that the city, especially New York, has figured centrally in the genre. Yet the strong identification of Jewish-American writing with urbanism, I show in this study, has obscured a significant strain of exurban desire in the works of Jewish-American poets and novelists. Even the emerging subfield of Jewish spatial studies continues to overlook representations of rural areas and nature in Jewish-American literature despite its expressed commitment to examine sites previously ignored by literary scholars. My project begins to remedy this neglect by recovering and interpreting the complex of exurbanism in the poetry of Morris Rosenfeld, Yehoash, and I.J. Schwartz, and in novels and stories by Bernard Malamud, Saul Bellow, and Philip Roth. Far from being sui generis, the exurbanism of these writers, I argue, is contiguous with the incipient naturism of Haskalah (Jewish Enlightenment) intellectuals, who sought to usher traditional European Jews into modernity, and inspired by motifs and ideals latent in Jewish liturgy, (neo-)Hasidism, the Hebrew Bible, and Yiddishkayt. Not surprisingly, Jewish-American literary exurbanism is also indebted to Euro-American pastoral, and specifically to such writers as Henry David Thoreau and Walt Whitman. A profoundly hybrid construction, Jewish-American literary exurbanism, I contend, inflects both Jewish and American identity, the former by valorizing a topos viewed as inherently assimilationist by Jewish traditionalists, and the latter through its critique of the masculinism, inwardness, and escapism that are associated with conventional forms of pastoral.
dcterms.available2017-09-20T16:52:53Z
dcterms.contributorManning, Peteren_US
dcterms.contributorScheckel, Susanen_US
dcterms.contributorHutner, Heidien_US
dcterms.contributorOmer-Sherman, Ranen.en_US
dcterms.creatorOil, Michael
dcterms.dateAccepted2017-09-20T16:52:53Z
dcterms.dateSubmitted2017-09-20T16:52:53Z
dcterms.descriptionDepartment of English.en_US
dcterms.extent156 pg.en_US
dcterms.formatApplication/PDFen_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/11401/77538
dcterms.issued2015-05-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2017-09-20T16:52:53Z (GMT). No. of bitstreams: 1 Oil_grad.sunysb_0771E_12260.pdf: 1773244 bytes, checksum: 93cb87ac1ce22220ca60af4cc5317e19 (MD5) Previous issue date: 2015en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectLiterature
dcterms.subjectEcocriticism, Exurbia, Jewish identity, Nature, Pastoral, Yiddishkayt
dcterms.titleRepresentations of Exurbia in Jewish-American Literature
dcterms.typeDissertation


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