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Postales turísticas en la narrativa, el cine y otros discursos mediáticos contemporáneos en la República Dominicana

dc.identifier.urihttp://hdl.handle.net/11401/77689
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoes
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeDissertation
dcterms.abstractAbstract of the Dissertation Postales turísticas en la narrativa, el cine y otros discursos mediáticos contemporáneos en la República Dominicana by Zaida Corniel Lineweaver Doctor of Philosophy in Hispanic Languages and Literature Stony Brook University 2015 In this dissertation I examine representations of the relationship between local inhabitants and tourists in literature, film and media of the Dominican Republic. I explore the concept of “contact zones†(Mary Louis Pratt) in reference to tourism, and how the tourist industry reshaped national spaces bringing displacement and creating new borders inside the nation. I also analyze literary representations of the Dominican diaspora looking back at the Dominican Republic when travelling there as tourists, and ask whether “imperial eyes†are sometimes present in this travel narratives. I also show how, since the late 1990’s, the neo-colonial discourse that surfaced through touristic propaganda has been challenged by writers and artists who are returning the gaze through performance, movies, drawings, and literary texts. In Chapter One I analyze the tourist gaze and displacement through the first magazine in this field, Bohío, which reproduces a colonial discourse in order to sell the country as a paradisiacal place, linking the arrival of tourism with the conquistadores. I also analyze the short-story collection Emoticons by Aurora Arias, and the novel Sueños de Salitre by Carmen Imbert Brugal. In Chapter Two, I analyze Junot Díaz’s novel The Brief Wondrous Life of Oscar Wao, and Nelly Rosario’s Song of the Water Saints to explore how the diaspora’s homecoming destabilizes the dominant narrative of the Dominican nation. In Chapter Three I examine the sexualization of the Caribbean body and space, and some of the artistic challenges to this sexualization and appropriation that have appeared in the last few years in film and visual art. I include the movies Sanky Panky I and II, directed by José Enrique Pintor, the performances The More I Dance and The Land Columbus Loved Best by Nicolás Dumit Estévez and Grrrringo, by the Swiss artist Ingo Giezendanner, a drawing collection that chronicles a tour between New York, the Dominican Republic, and Haiti.
dcterms.available2017-09-20T16:53:20Z
dcterms.contributorVernon, Kathleenen_US
dcterms.contributorFlesler, Danielaen_US
dcterms.contributorBurgos Lafuente, Lenaen_US
dcterms.contributorPérez Melgosa, Adriánen_US
dcterms.contributorMartínez San Miguel, Yolanda.en_US
dcterms.creatorcorniel lineweaver, Zaida Maribel
dcterms.dateAccepted2017-09-20T16:53:20Z
dcterms.dateSubmitted2017-09-20T16:53:20Z
dcterms.descriptionDepartment of Hispanic Languages and Literature.en_US
dcterms.extent225 pg.en_US
dcterms.formatMonograph
dcterms.formatApplication/PDFen_US
dcterms.identifierhttp://hdl.handle.net/11401/77689
dcterms.issued2015-12-01
dcterms.languagees
dcterms.provenanceMade available in DSpace on 2017-09-20T16:53:20Z (GMT). No. of bitstreams: 1 corniellineweaver_grad.sunysb_0771E_12660.pdf: 60688284 bytes, checksum: 8bbfaab479946cc4f4ec54572c805e60 (MD5) Previous issue date: 1en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectgender, migration, race, Tourism
dcterms.subjectCaribbean studies
dcterms.titlePostales turísticas en la narrativa, el cine y otros discursos mediáticos contemporáneos en la República Dominicana
dcterms.titlePostales turísticas en la narrativa, el cine y otros discursos mediáticos contemporáneos en la República Dominicana
dcterms.typeDissertation


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