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Recovering the Historicity of the Ideological Production of Sor Juana Inés de la Cruz

dc.identifier.urihttp://hdl.handle.net/11401/77701
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeDissertation
dcterms.abstractMany of Sor Juana's recent critics don't hesitate to categorize her work as early feminist writing, depicting her as a subversive visionary, a woman truly ahead of her time. Critical analyses of her work have often tended to emphasize Sor Juana's marginality highlighting her status as an illegitimate child, an unmarried woman dedicated to her studies, a defender of secular notions in a dangerously religious context, and a defender of women in a patriarchal world. The present discussion, however, represents an effort to resist the temptation to overly modernize Sor Juana; instead of understanding her life as an anomaly, this project takes up the task of explaining the productive logic of Sor Juana's writing as a historically anchored phenomenon. Aided by the notion of the radical historicity of textual production as developed by Spanish scholar, Juan Carlos Rodríguez, this project undertakes to explore the specific radical historicity of Sor Juana's work. The aim is to locate her textual production with respect to the contradictory ideologies present in 17th century Spain and New Spain during the period of the transition between feudalism and capitalism. The textual analysis presented examines the intersection of resurgent feudal and emerging bourgeois ideologies in Sor Juana's <italic>Respuesta</italic> written to the Bishop of Puebla, as well as in a number of her poems, two of her plays and a letter she wrote to her confessor, Núñez de Miranda. Recognizing that women's bodies represent a specific site for the historical struggle between two distinct modes of production, this project also analyzes the ideological extraction of Sor Juana's particular defense of women as she responds to the heightened suppression of women that marked the period. After tracing the specific notion of sexual difference that appears in Sor Juana's texts as well as her ideological integration of the new structure of the public/private split, the analysis concludes that Sor Juana's defense of women was not anomalous to its moment of production and that her standard classification as feminist should be reconsidered.
dcterms.abstractMany of Sor Juana's recent critics don't hesitate to categorize her work as early feminist writing, depicting her as a subversive visionary, a woman truly ahead of her time. Critical analyses of her work have often tended to emphasize Sor Juana's marginality highlighting her status as an illegitimate child, an unmarried woman dedicated to her studies, a defender of secular notions in a dangerously religious context, and a defender of women in a patriarchal world. The present discussion, however, represents an effort to resist the temptation to overly modernize Sor Juana; instead of understanding her life as an anomaly, this project takes up the task of explaining the productive logic of Sor Juana's writing as a historically anchored phenomenon. Aided by the notion of the radical historicity of textual production as developed by Spanish scholar, Juan Carlos Rodríguez, this project undertakes to explore the specific radical historicity of Sor Juana's work. The aim is to locate her textual production with respect to the contradictory ideologies present in 17th century Spain and New Spain during the period of the transition between feudalism and capitalism. The textual analysis presented examines the intersection of resurgent feudal and emerging bourgeois ideologies in Sor Juana's <italic>Respuesta</italic> written to the Bishop of Puebla, as well as in a number of her poems, two of her plays and a letter she wrote to her confessor, Núñez de Miranda. Recognizing that women's bodies represent a specific site for the historical struggle between two distinct modes of production, this project also analyzes the ideological extraction of Sor Juana's particular defense of women as she responds to the heightened suppression of women that marked the period. After tracing the specific notion of sexual difference that appears in Sor Juana's texts as well as her ideological integration of the new structure of the public/private split, the analysis concludes that Sor Juana's defense of women was not anomalous to its moment of production and that her standard classification as feminist should be reconsidered.
dcterms.available2017-09-20T16:53:21Z
dcterms.contributorVernon, Kathleenen_US
dcterms.contributorCharnon-Deutsch, Louen_US
dcterms.contributorRoncero López, Victorianoen_US
dcterms.contributorRead, Malcolmen_US
dcterms.contributorOllala Real, Ã ngela.en_US
dcterms.creatorHughes, Megan Leanne
dcterms.dateAccepted2017-09-20T16:53:21Z
dcterms.dateSubmitted2017-09-20T16:53:21Z
dcterms.descriptionDepartment of Hispanic Languages and Literature.en_US
dcterms.extent296 pg.en_US
dcterms.formatMonograph
dcterms.formatApplication/PDFen_US
dcterms.identifierhttp://hdl.handle.net/11401/77701
dcterms.issued2015-08-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2017-09-20T16:53:21Z (GMT). No. of bitstreams: 1 Hughes_grad.sunysb_0771E_11347.pdf: 20345262 bytes, checksum: cb7852e847d25f47a78f265d87c69c16 (MD5) Previous issue date: 2013en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectfeminism, ideology, Juan Carlos Rodríguez, literary criticism, Sor Juana Inés de la Cruz, transition from feudalism to capitalism
dcterms.subjectLiterature
dcterms.subjectfeminism, ideology, Juan Carlos Rodríguez, literary criticism, Sor Juana Inés de la Cruz, transition from feudalism to capitalism
dcterms.titleRecovering the Historicity of the Ideological Production of Sor Juana Inés de la Cruz
dcterms.titleRecovering the Historicity of the Ideological Production of Sor Juana Inés de la Cruz
dcterms.typeDissertation


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