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Soldados del infortunio: sustratos de la colonialidad en la literatura bélica caribeña

dc.identifier.urihttp://hdl.handle.net/11401/78258
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoes
dc.typeDissertation
dcterms.abstractThis dissertation explores the coloniality of being in mid-twentieth century Spanish Caribbean war literature. I examine literature as a means of fostering decolonial thinking, as working to reverse coloniality’s effects. The dissertation takes into account the context that triggered the armed conflicts in which Spanish Caribbean soldiers were involved. It emphasizes the United States’ imperialistic attitude towards the Caribbean, a common factor in threading stories of male affect. In the first chapter, I study four short stories by Emilio Díaz Valcárcel which focus on the participation of Puerto Rican soldiers in the United States Army during the Korean War. In each tale, the discrimination suffered by these soldiers–based on their ethnic and linguistic difference– indelibly shapes the subjectivity of Puerto Rican military men who, as a result, must embark on a perennial quest for a sense of belonging. The second chapter analyzes a collection of short stories by Eduardo Heras León. He writes of the battles that took place during the Invasion of the Bay of Pigs in Cuba. Heras León’s characters aim to emulate an abstract image of the modern Western soldier by projecting themselves as emotionless, as virile killing machines. However, the fallacy of this overrepresented image surfaces in the portrayal of the internal conflict Cuban soldiers suffer, since they are constantly fighting their own emotions. In the third and final chapter, I delve into war and social poetry by Jacques Viau Renaud. His poetry was produced during the turmoil that followed the coup d’état that ousted President Juan Bosch in the Dominican Republic in 1963. Viau’s poems build on the idea that marginalized and colonized subjects must turn to each other with love, in order to fight against the oppression they suffer. Through an analysis of these writers’ works, I demonstrate that the experience of war helps to reveal the underpinnings of a coloniality of being. Colonial subjects, consequently, embark on a process of decolonial thinking and loosen the stranglehold imposed by a colonized psyche.
dcterms.available2018-06-21T13:38:45Z
dcterms.contributorFirbas, Paulen_US
dcterms.contributorBurgos-Lafuente, Lenaen_US
dcterms.contributorPérez-Melgosa, Adriánen_US
dcterms.contributorUriarte, Javieren_US
dcterms.contributorPrice, Rachelen_US
dcterms.creatorGonzález-Jiménez, Rubén
dcterms.dateAccepted2018-06-21T13:38:45Z
dcterms.dateSubmitted2018-06-21T13:38:45Z
dcterms.descriptionDepartment of Hispanic Languages and Literatureen_US
dcterms.extent235 pg.en_US
dcterms.formatApplication/PDFen_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/11401/78258
dcterms.issued2017-12-01
dcterms.languagees
dcterms.provenanceMade available in DSpace on 2018-06-21T13:38:45Z (GMT). No. of bitstreams: 1 GonzalezJimenez_grad.sunysb_0771E_13545.pdf: 1252416 bytes, checksum: b9bd7cc5a6d8a6d42486fd21744e2cfd (MD5) Previous issue date: 12en
dcterms.subjectLatin American literature
dcterms.titleSoldados del infortunio: sustratos de la colonialidad en la literatura bélica caribeña
dcterms.titleSoldados del infortunio: sustratos de la colonialidad en la literatura bélica caribeña
dcterms.typeDissertation


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