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dc.identifier.urihttp://hdl.handle.net/11401/78419
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.typeDissertation
dcterms.available2018-11-12T17:50:19Z
dcterms.contributorLochhead, Judithen_US
dcterms.creatorDowns, Benjamin Michael
dcterms.dateAccepted2018-11-12T17:50:19Z
dcterms.dateSubmitted2018-11-12T17:50:19Z
dcterms.descriptionDepartment of Music.en_US
dcterms.extent241 pg.en_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/11401/78419
dcterms.issued2018-01-05
dcterms.issued2018
dcterms.provenanceMade available in DSpace on 2018-11-12T17:50:19Z (GMT). No. of bitstreams: 1 Downs_grad.sunysb_0771E_13744.pdf: 15621989 bytes, checksum: 58f76d928d00ecb1bc2c7c22b8f4257b (MD5) Previous issue date: 2018-01-05en
dcterms.subjectMusic history
dcterms.subjectGermany
dcterms.subjectlistening
dcterms.subjectmodernism
dcterms.subjectmusic
dcterms.subjectphilosophy
dcterms.subjecttheory
dcterms.titleDividing Sense from Sense: German Post-War Avant-Garde Music and the Politics of Listening
dcterms.typeDissertation


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