dc.identifier.uri | http://hdl.handle.net/11401/78421 | |
dc.description.sponsorship | This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree. | en_US |
dc.format | Monograph | |
dc.format.medium | Electronic Resource | en_US |
dc.type | Thesis | |
dcterms.available | 2018-11-12T17:50:19Z | |
dcterms.contributor | Schindler, Maya | en_US |
dcterms.creator | Falleni, Karine | |
dcterms.dateAccepted | 2018-11-12T17:50:19Z | |
dcterms.dateSubmitted | 2018-11-12T17:50:19Z | |
dcterms.description | Department of Studio Art. | en_US |
dcterms.extent | 24 pg. | en_US |
dcterms.format | Monograph | |
dcterms.identifier | http://hdl.handle.net/11401/78421 | |
dcterms.issued | 2018-01-05 | |
dcterms.issued | 2018 | |
dcterms.provenance | Made available in DSpace on 2018-11-12T17:50:19Z (GMT). No. of bitstreams: 1
Falleni_grad.sunysb_0771M_13709.pdf: 9944667 bytes, checksum: cf6da2cb71460bfd5aef42108ce305f9 (MD5)
Previous issue date: 2018-01-05 | en |
dcterms.subject | Art criticism | |
dcterms.subject | architecture | |
dcterms.subject | art | |
dcterms.subject | mark making | |
dcterms.subject | movement | |
dcterms.title | Coexist | |
dcterms.type | Thesis | |