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dc.identifier.urihttp://hdl.handle.net/11401/78421
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.typeThesis
dcterms.available2018-11-12T17:50:19Z
dcterms.contributorSchindler, Mayaen_US
dcterms.creatorFalleni, Karine
dcterms.dateAccepted2018-11-12T17:50:19Z
dcterms.dateSubmitted2018-11-12T17:50:19Z
dcterms.descriptionDepartment of Studio Art.en_US
dcterms.extent24 pg.en_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/11401/78421
dcterms.issued2018-01-05
dcterms.issued2018
dcterms.provenanceMade available in DSpace on 2018-11-12T17:50:19Z (GMT). No. of bitstreams: 1 Falleni_grad.sunysb_0771M_13709.pdf: 9944667 bytes, checksum: cf6da2cb71460bfd5aef42108ce305f9 (MD5) Previous issue date: 2018-01-05en
dcterms.subjectArt criticism
dcterms.subjectarchitecture
dcterms.subjectart
dcterms.subjectmark making
dcterms.subjectmovement
dcterms.titleCoexist
dcterms.typeThesis


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