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dc.identifier.urihttp://hdl.handle.net/11401/78466
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.typeThesis
dcterms.available2018-11-12T17:50:25Z
dcterms.contributorVidebaek, Benteen_US
dcterms.creatorReed, Caterina Maria
dcterms.dateAccepted2018-11-12T17:50:25Z
dcterms.dateSubmitted2018-11-12T17:50:25Z
dcterms.descriptionDepartment of English.en_US
dcterms.extent42 pg.en_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/11401/78466
dcterms.issued2018-01-05
dcterms.issued2018
dcterms.provenanceMade available in DSpace on 2018-11-12T17:50:25Z (GMT). No. of bitstreams: 1 Reed_grad.sunysb_0771M_13678.pdf: 565900 bytes, checksum: 5803c596f5f9e93160fd4f0ffa7e424b (MD5) Previous issue date: 2018-01-05en
dcterms.subjectAtwood
dcterms.subjectLiterature
dcterms.subjectCollins
dcterms.subjectfeminist
dcterms.subjectHandmaid's Tale
dcterms.subjectHunger Games
dcterms.subjectspeculative fiction
dcterms.titleTransformative Memory, (Un)Truths, and the Politicization of Female Bodies in Atwood’s The Handmaid’s Tale and Collins’ Hunger Games Trilogy
dcterms.typeThesis


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