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dc.identifier.urihttp://hdl.handle.net/11401/78487
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.typeThesis
dcterms.available2018-11-12T17:50:30Z
dcterms.contributorGoodarzi, Shokien_US
dcterms.creatorWard, Matthew
dcterms.dateAccepted2018-11-12T17:50:30Z
dcterms.dateSubmitted2018-11-12T17:50:30Z
dcterms.descriptionDepartment of Art History and Criticism.en_US
dcterms.extent37 pg.en_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/11401/78487
dcterms.issued2018-01-05
dcterms.issued2018
dcterms.provenanceMade available in DSpace on 2018-11-12T17:50:30Z (GMT). No. of bitstreams: 1 Ward_grad.sunysb_0771M_13649.pdf: 1107831 bytes, checksum: 36514baa711bdf6b0591eb664bb50958 (MD5) Previous issue date: 2018-01-05en
dcterms.subjectArt history
dcterms.subjectHugo Chávez
dcterms.subjectPropaganda
dcterms.subjectVenezuela
dcterms.titleLos Ojos de Chavez: The Gaze and Venezuelan National Identity
dcterms.typeThesis


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