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dc.identifier.urihttp://hdl.handle.net/11401/78895
dcterms.abstractThere is a significant absence of critical work examining the portrayal of disability in the English Renaissance unless it relates to examining disability as a metaphor. In this paper, I seek to evaluate the portrayal of blindness, and, more broadly, the impaired body in John Milton’s dramatic poem Samson Agonistes. What I wish to evaluate is that impairment in the drama is a natural condition which occurs to an unstable, fragile human body which equally fragile social norms are built upon; the grey-area which Samson’s impaired body occupies makes these social norms clear, as well as their exclusion of disabled subjects. Using Lennard Davis’s social model of disability, Rosemarie Garland-Thomson’s ideas of staring, and Mitchell and Snyder’s narrative prosthesis, I wish to show that in a drama concerned with the relationship of spectator and spectacle, reaffirming normalcy occurs through reinforcing familiar tropes which ascribe meanings onto the defamiliarized body. Ultimately, Milton’s drama suggests that imposing meaning onto impairments can itself be disabling.
dcterms.available2018-01-01
dcterms.contributorAdvisor: Robinson, Benedict
dcterms.contributorCommittee members: Dunn, Patricia
dcterms.creatorJohnson, Ashley Lynn
dcterms.date2018
dcterms.dateAccepted2019-12-06T17:25:51Z
dcterms.dateSubmitted2019-12-06T17:25:51Z
dcterms.descriptionThesis
dcterms.descriptionDepartment of English
dcterms.extent47 pages
dcterms.formatapplication/pdf
dcterms.issued2018-01-01
dcterms.languageen
dcterms.provenanceSubmitted by Jason Torre (fjason.torre@stonybrook.edu) on 2019-12-06T17:25:51Z No. of bitstreams: 1 Johnson_grad.sunysb_0771M_13961.pdf: 386950 bytes, checksum: a7497f7275d3283c35dddb2e4ba58cee (MD5)
dcterms.provenanceMade available in DSpace on 2019-12-06T17:25:51Z (GMT). No. of bitstreams: 1 Johnson_grad.sunysb_0771M_13961.pdf: 386950 bytes, checksum: a7497f7275d3283c35dddb2e4ba58cee (MD5) Previous issue date: 2018
dcterms.publisherStony Brook University
dcterms.title“To Such a Tender Ball as th’Eye Confin’d”: Disability and the Instability of Authority in Milton’s Samson Agonistes


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