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dc.identifier.urihttp://hdl.handle.net/1951/55621
dc.identifier.urihttp://hdl.handle.net/11401/72668
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeDissertation
dcterms.abstractCrossing Borders, Crossing Margins analyzes transnational literature and films produced from the 1990s to the present and draws upon literary theory, feminist theory, and cultural studies. This dissertation examines how the elaboration of Spanish national identity is contested, diverted, and re-shaped in representations of feminine immigration in a seemingly post-national era characterized by porous national borders. Several of the tropes deployed in the contemporary texts call attention to the psychological and ideological legacies of Spain's conflictive histories with the Americas, Africa, and even Europe, evincing the vestiges of traumatic histories that continue to bear upon individual and collective structures of nationalistic identification This negotiation of immigration, representation, and agency serves as the basis of the dissertation.My dissertation begins with an examination the intersection of race and gender in nationalistic discourse in 20th century works by Carmen Laforet, Luc¡a Etxebarria, and Manuel Guti rrez Arag¢n. I then read contemporary depictions of immigrant life in Gerardo Mu¤oz Lorente's novel Ramito de hierbabuena, Nieves Garc¡a Benito's short stories"Cailcedrat" and"Gabriela" and the films Extranjeras (dir. Helena Taberna 2003), Princesas de µfrica (dir. Juan Laguna 2008), and En la puta vida (dir. Beatriz Flores Silva 2001) alongside theories of documentary narrative, including Latin American testimonio, Roland Barthes's philosophical approaches to photography, and documentary film theory. I examine the figure of the immigrant woman as prostitute and chart a genealogy of prostitutes in Spanish literature in 19th century novels by naturalist Eduardo L¢pez Bago to recent literary works by Lourdes Ortiz, Laila Lalami, and Fernando Le¢n de Aranoa's film Princesas (2005). My dissertation culminates in an analysis of contemporary Spanish multiculturalism as a demanding and risky ideal, as figured in the work of Najat el Hachemi and in the films Flores de otro mundo (dir. Iciar Bolla¡n 1999) and I love you, baby (dir. Alfonso Albacete and David Menkes 2003). In these final analyses I am interested in how gender and racial difference structure the modes through which the Other is imagined and represented in relation to the society in which she attempts to reside.
dcterms.available2012-05-15T18:06:49Z
dcterms.available2015-04-24T14:53:10Z
dcterms.contributorLou Charnon-Deutschen_US
dcterms.contributorFlesler, Danielaen_US
dcterms.contributorVictoria Hesforden_US
dcterms.contributorParvati Nairen_US
dcterms.contributorAdri n P rez Melgosaen_US
dcterms.contributorKaty Vernonen_US
dcterms.creatorShepherd, Neica Michelle
dcterms.dateAccepted2012-05-15T18:06:49Z
dcterms.dateAccepted2015-04-24T14:53:10Z
dcterms.dateSubmitted2012-05-15T18:06:49Z
dcterms.dateSubmitted2015-04-24T14:53:10Z
dcterms.descriptionDepartment of Hispanic Languages and Literatureen_US
dcterms.formatMonograph
dcterms.formatApplication/PDFen_US
dcterms.identifierhttp://hdl.handle.net/1951/55621
dcterms.identifierShepherd_grad.sunysb_0771E_10083.pdfen_US
dcterms.identifierhttp://hdl.handle.net/11401/72668
dcterms.issued2010-05-01
dcterms.languageen_US
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dcterms.provenanceMade available in DSpace on 2015-04-24T14:53:10Z (GMT). No. of bitstreams: 3 Shepherd_grad.sunysb_0771E_10083.pdf.jpg: 1894 bytes, checksum: a6009c46e6ec8251b348085684cba80d (MD5) Shepherd_grad.sunysb_0771E_10083.pdf.txt: 484299 bytes, checksum: 90ffb25bcea51816c95f0bf888d18664 (MD5) Shepherd_grad.sunysb_0771E_10083.pdf: 810588 bytes, checksum: c7adbcb0af79d262a8abb006cd1a2518 (MD5) Previous issue date: 1en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectLiterature, Romance -- Women's Studies
dcterms.subjectContemporary Spanish cinema, Contemporary Spanish Literature, Gender, Immigration
dcterms.titleCrossing Borders, Crossing Margins: Immigrant Women and Transnational Narrative in Contemporary Spain
dcterms.typeDissertation


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