| dc.identifier.uri | http://hdl.handle.net/11401/76852 | |
| dc.description.sponsorship | This work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree. | en_US |
| dc.format | Monograph | |
| dc.format.medium | Electronic Resource | en_US |
| dc.language.iso | en_US | |
| dc.publisher | The Graduate School, Stony Brook University: Stony Brook, NY. | |
| dc.type | Thesis | |
| dcterms.abstract | I intend this thesis to be a narration of my thoughts about the artwork I create. This thesis is divided into two parts. In part one, I explore the conceptual aspects of my work and discuss my use of fragments, grids and context, and why the formal qualities of my work are derived from semiotics. In part two, I discuss six bodies of work. | |
| dcterms.available | 2017-09-20T16:51:19Z | |
| dcterms.contributor | Pekarsky, Mel | en_US |
| dcterms.contributor | Dinkins, Stephanie | en_US |
| dcterms.contributor | Mendieta, Eduardo. | en_US |
| dcterms.creator | Warndorf, Nicholas | |
| dcterms.dateAccepted | 2017-09-20T16:51:19Z | |
| dcterms.dateSubmitted | 2017-09-20T16:51:19Z | |
| dcterms.description | Department of Studio Art. | en_US |
| dcterms.extent | 39 pg. | en_US |
| dcterms.format | Monograph | |
| dcterms.format | Application/PDF | en_US |
| dcterms.identifier | http://hdl.handle.net/11401/76852 | |
| dcterms.issued | 2015-08-01 | |
| dcterms.language | en_US | |
| dcterms.provenance | Made available in DSpace on 2017-09-20T16:51:19Z (GMT). No. of bitstreams: 1
Warndorf_grad.sunysb_0771M_11738.pdf: 3546406 bytes, checksum: 54d285cf1c1b379dfb9a16213ee6e3b1 (MD5)
Previous issue date: 2014 | en |
| dcterms.publisher | The Graduate School, Stony Brook University: Stony Brook, NY. | |
| dcterms.subject | Art, Context, Fragments, Non-Objective, Philosophy, Semiotics | |
| dcterms.subject | Fine arts | |
| dcterms.title | Fragments & Context | |
| dcterms.type | Thesis | |
