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Mediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations

dc.identifier.urihttp://hdl.handle.net/11401/77217
dc.description.sponsorshipThis work is sponsored by the Stony Brook University Graduate School in compliance with the requirements for completion of degree.en_US
dc.formatMonograph
dc.format.mediumElectronic Resourceen_US
dc.language.isoen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dc.typeDissertation
dcterms.abstractSince the beginning of the 21st century, the jun’ai (pure-love) genre has flourished in Japan, both in works of popular literature and in film. This phenomenon coincides with a time when the country is seen by the media as being characterized by soshitsukan (sense of loss). In jun’ai films, the heroine is often the object of loss. This theme of loss in jun’ai therefore resonates with the Japanese social context, but this connection has not yet been fully elucidated. In this dissertation, I seek to explain why Japanese women, who are arguably treated as “other†within Japan, embody a transnationalism that is often controlled and restrained for the sake of maintaining a cohesive Japanese national identification. I examine a group of 21st-century Japanese and Taiwanese films that feature a jun’ai sentiment between the heroine and the male protagonist, arguing that the jun’ai sentiment shows a gap between the transnational imagination that individuals aspire to, and a national ideology that manages to bind subjects to the status quo. Jun’ai, as a subgenre of romance, is used as a national allegory for such purpose. To explain how the roles of jun’ai heroines are used to recuperate national identification, I also analyze the concurrent trend of transnational adaptations of Audrey Hepburn’s child-woman persona in television dramas and OL (office lady) fashion magazines, which have popularized a local version of “otona-kawaii†(adult-cute) women in Japan. In these media representations, women’s “foreignness†is controlled through the expression of pure-love and the image of women as “evolving†subjects who are capable of adapting to circumstances and mature through the process. Finally, in order to further explore the transnational potential of the genre, I examine the ways in which jun’ai is used as a national discourse in Taiwan.
dcterms.available2017-09-20T16:52:13Z
dcterms.contributorKaplan, E. Annen_US
dcterms.contributorSanta Ana, Jeffreyen_US
dcterms.contributorChing, Leo T.S.en_US
dcterms.contributorGabbard, Krinen_US
dcterms.contributorGerow, Aaronen_US
dcterms.contributor.en_US
dcterms.creatorSung, I-Te Rita
dcterms.dateAccepted2017-09-20T16:52:13Z
dcterms.dateSubmitted2017-09-20T16:52:13Z
dcterms.descriptionDepartment of Comparative Literatureen_US
dcterms.extent231 pg.en_US
dcterms.formatApplication/PDFen_US
dcterms.formatMonograph
dcterms.identifierhttp://hdl.handle.net/11401/77217
dcterms.issued2016-12-01
dcterms.languageen_US
dcterms.provenanceMade available in DSpace on 2017-09-20T16:52:13Z (GMT). No. of bitstreams: 1 Sung_grad.sunysb_0771E_13004.pdf: 1670904 bytes, checksum: 15a950ff2160cc14569c11fda909d65f (MD5) Previous issue date: 1en
dcterms.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.
dcterms.subjectjun’ai (pure-love), kokusaika (Japan’s internationalization), national identity, popular media, soshitsukan (sense of loss), transnational imagination
dcterms.subjectAsian studies -- Comparative literature -- Social research
dcterms.subjectjun’ai (pure-love), kokusaika (Japan’s internationalization), national identity, popular media, soshitsukan (sense of loss), transnational imagination
dcterms.titleMediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations
dcterms.titleMediating Trans/nationalism: Japanese ‘Jun’ai’ (Pure-Love) in Popular Media Representations
dcterms.typeDissertation


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